“Oh, we can all persuade ourselves that we are the Heaven-ordained dictator of the human race,” he answered. “Love of power is at the bottom of it. Why do our Rockefellers and our Carnegies condemn themselves to the existence of galley slaves, ruining their digestions so that they never can enjoy a square meal. It isn’t the money; it’s the trouble of their lives how to get rid of that. It is the notoriety, the power that they are out for. In Carleton’s case, it is to feel himself the power behind the throne; to know that he can make and unmake statesmen; has the keys of peace and war in his pocket; is able to exclaim: Public opinion? It is I.” “Take off your glasses, and look at it straight,” she went on, without giving Joan time to reply. “What is it in us that ‘inspires’ men? If it’s only advice and sympathy he’s after, what’s wrong with dear old Mrs. Denton? She’s a good walker, except now and then, when she’s got the lumbago. Why doesn’t he get her to ‘inspire’ him?”!

Why had he never “brought her up,” never exacted obedience from her, never even tried to influence her? It could not have been mere weakness. She stole a sidelong glance at the tired, lined face with its steel-blue eyes. She had never seen them other than calm, but they must have been able to flash. Why had he always been so just and kind and patient with her? Why had he never scolded her and bullied her and teased her? Why had he let her go away, leaving him lonely in his empty, voiceless house? Why had he never made any claim upon her? The idea came to her as an inspiration. At least, it would ease her conscience. “Why don’t you let Arthur live here,” she said, “instead of going back to his lodgings? It would be company for you.” “Good Heavens! What a tragedy for the man,” commented Flossie.

“I asked her once,” said the girl, “why she wasted so much work on them. They were mostly only for poor people. ‘One never knows, dearie,’ she answered, with that childish smile of hers. ‘It may be for a little Christ.’” Mrs. Denton’s friends called upon her, and most of them invited her to their houses. A few were politicians, senators or ministers. Others were bankers, heads of business houses, literary men and women. There were also a few quiet folk with names that were historical. They all thought that war between France and England would be a world disaster, but were not very hopeful of averting it. She learnt that Carleton was in Berlin trying to secure possession of a well-known German daily that happened at the moment to be in low water. He was working for an alliance between Germany and England. In France, the Royalists had come to an understanding with the Clericals, and both were evidently making ready to throw in their lot with the war-mongers, hoping that out of the troubled waters the fish would come their way. Of course everything depended on the people. If the people only knew it! But they didn’t. They stood about in puzzled flocks, like sheep, wondering which way the newspaper dog was going to hound them. They took her to the great music halls. Every allusion to war was greeted with rapturous applause. The Marseillaise was demanded and encored till the orchestra rebelled from sheer exhaustion. Joan’s patience was sorely tested. She had to listen with impassive face to coarse jests and brutal gibes directed against England and everything English; to sit unmoved while the vast audience rocked with laughter at senseless caricatures of supposed English soldiers whose knees always gave way at the sight of a French uniform. Even in the eyes of her courteous hosts, Joan’s quick glance would occasionally detect a curious glint. The fools! Had they never heard of Waterloo and Trafalgar? Even if their memories might be excused for forgetting Crecy and Poictiers and the campaigns of Marlborough. One evening—it had been a particularly trying one for Joan—there stepped upon the stage a wooden-looking man in a kilt with bagpipes under his arm. How he had got himself into the programme Joan could not understand. Managerial watchfulness must have gone to sleep for once. He played Scotch melodies, and the Parisians liked them, and when he had finished they called him back. Joan and her friends occupied a box close to the stage. The wooden-looking Scot glanced up at her, and their eyes met. And as the applause died down there rose the first low warning strains of the Pibroch. Joan sat up in her chair and her lips parted. The savage music quickened. It shrilled and skrealed. The blood came surging through her veins. Joan had gone out in September, and for a while the weather was pleasant. The men, wrapped up in their great-coats, would sleep for preference under the great sycamore trees. Through open doorways she would catch glimpses of picturesque groups of eager card-players, crowded round a flickering candle. From the darkness there would steal the sound of flute or zither, of voices singing. Occasionally it would be some strident ditty of the Paris music-halls, but more often it was sad and plaintive. But early in October the rains commenced and the stream became a roaring torrent, and a clammy mist lay like a white river between the wooded hills.